This is a special post which I felt personally with regards to recent events in my life.
One of it involves a certain someone whom I met online, who likes to criticise the current events in Malaysia on Facebook. Religion, extremism, feminism, you name it.
At first it was about sharing of opinions, mostly of hers, then she started to talk about religion, which opinion I disagreed. When I shared mine, this fella ain't listening and thought it's annoyance, and she just cuts me off, disconnected.
Then I realised. Whatever I said, whatever voice spoken or words left behind, it'll be the same whether I'm dead or alive. Just whispers of the dead.
Recent events in my career also points to this. I realised I have to step up and stick to my limits and principles. Only to find out in the end, the fruits of labor tasted bitter.
I realised then what my friend once told me in Malay.
"Buat Baik Berpada pada, Buat Jahat jangan sekali" which translates to "do good with limitations, do not do evil".
With limitations.
The problem with doing kindness, is that,
once, it felt bliss.
twice, you felt responsible of it,
more than that, it'll felt as an un-necessary obligation.
That's why I guess, in religion, it'll always teach, do good because of God alone. Other than this will result in frustration.
Know this. Stalin once said "Gratitude is a sickness suffered by dogs".
The summary of all this just made me more resolute towards achieving silence.
One of its immediate effect is I learned that, not answering is sometimes the best answer.
Because in the end, whatever voice spoken or words left behind, it'll be the same whether I'm dead or alive. Just whispers of the dead.
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Just play the video clip, read the intro, then follow through the drawings.
I'm too lazy to make a video actually.
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Youssou N'Dour - 7 Seconds ft. Neneh Cherry
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http://en.wikipedia.org/wiki/The_Disasters_of_War
One of it involves a certain someone whom I met online, who likes to criticise the current events in Malaysia on Facebook. Religion, extremism, feminism, you name it.
At first it was about sharing of opinions, mostly of hers, then she started to talk about religion, which opinion I disagreed. When I shared mine, this fella ain't listening and thought it's annoyance, and she just cuts me off, disconnected.
Then I realised. Whatever I said, whatever voice spoken or words left behind, it'll be the same whether I'm dead or alive. Just whispers of the dead.
Recent events in my career also points to this. I realised I have to step up and stick to my limits and principles. Only to find out in the end, the fruits of labor tasted bitter.
I realised then what my friend once told me in Malay.
"Buat Baik Berpada pada, Buat Jahat jangan sekali" which translates to "do good with limitations, do not do evil".
With limitations.
The problem with doing kindness, is that,
once, it felt bliss.
twice, you felt responsible of it,
more than that, it'll felt as an un-necessary obligation.
That's why I guess, in religion, it'll always teach, do good because of God alone. Other than this will result in frustration.
Know this. Stalin once said "Gratitude is a sickness suffered by dogs".
The summary of all this just made me more resolute towards achieving silence.
One of its immediate effect is I learned that, not answering is sometimes the best answer.
Because in the end, whatever voice spoken or words left behind, it'll be the same whether I'm dead or alive. Just whispers of the dead.
-------------------------------------------------------------------------------------------------
Just play the video clip, read the intro, then follow through the drawings.
I'm too lazy to make a video actually.
---------------------------------------------------------------------------------------------------
Youssou N'Dour - 7 Seconds ft. Neneh Cherry
---------------------------------------------------------------------------------------------------
http://en.wikipedia.org/wiki/The_Disasters_of_War
The Disasters of War (Spanish: Los Desastres de la Guerra) are a series of 82[a 1] prints created between 1810 and 1820 by the Spanish painter and printmaker Francisco Goya (1746–1828).
Although Goya did not make known his intention when creating the plates, art historians view them as a visual protest against the violence of the 1808 Dos de Mayo Uprising, the subsequent Peninsular War of 1808–14 and the setbacks to the liberal cause following the restoration of the Bourbon monarchy in 1814.
During the conflicts between Napoleon's French Empire and Spain, Goya retained his position as first court painter to the Spanish crown and continued to produce portraits of the Spanish and French rulers.[2] Although deeply affected by the war, he kept private his thoughts on the art he produced in response to the conflict and its aftermath.[3]
He was in poor health and almost deaf when, at 62, he began work on the prints.
They were not published until 1863, 35 years after his death.
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http://www.richardharrisartcollection.com/portfolio-view/francisco-goya-2/
http://commons.wikimedia.org/wiki/Los_desastres_de_la_guerra
Plate 1: Sad forebodings
Plate 2: Rightly or Wrongly
Plate 3: The Same
Plate 4: The women give courage
Plate 6: It serves you right
Plate 7: What courage!
Plate 8: This always happens
Plate 9: They don’t like it
Plate 10: Nor do [these] either
Plate 11: Nor these
Plate 12 – This is what you were born for
Plate 13 – Bitter to be present
Plate 14 – It’s a hard step
Plate 15 – There’s no help for it
Plate 16 – They make use of them
Plate 17 – They do not agree
Plate 18 – Bury them and keep quiet
Plate 19 – There isn’t time now
Plate 20 – Get them well, and on to the next
Plate 21 – It will be the same
Plate 22 – Even worse
Plate 23 – The same elsewhere
Plate 24 – They can still be of use
Plate 25 – These too
Plate 26 – One can’t look
Plate 27 – Charity
Plate 28 – Rabble
Plate 29 – He deserved it
Plate 30 – Ravages of war
Plate 31 – That’s tough
Plate 32 – Why?
Plate 33 – What more can be done
Plate 34 – On account of a knife
Plate 35 – One can’t tell
Plate 36 – Not [in this case] either
Plate 37 – This is worse
Plate 38 – Barbarians!
Plate 39 – heroic feat! With dead men!
Plate 40 – He gets something out of it
Plate 41 – They escape through the flames
Plate 42 – Everything is topsy-turvy
Plate 43 – This too
Plate 44 – I saw it
Plate 45 – And this too
Plate 46 – This is bad
Plate 47 – This is how it happened
Plate 48 – Cruel tale of woe
Plate 49 – A woman’s charity
Plate 50 – Unhappy mother!
Plate 51 – Thanks to the millet
Plate 52 – They do not arrive in time
Plate 53 – There was nothing to be done and he died
Plate 54 – Appeals are in vain
Plate 55 – The worst is to beg
Plate 56 – To the cemetery
Plate 57 – The healthy and the sick
Plate 58 – It’s no use crying out
Plate 59 – What is the use of a cup?
Plate 60 – There is no one to help them
Plate 61 – Perhaps they are of another breed
Plate 62 – The beds of death
Plate 63 – Harvest of the dead men
Plate 64 – Cartloads to the cemetery
Plate 65 – What is this hubbub?
Plate 66 – Strange Devotion
Plate 67 – This is not less so
Plate 68 – What madness!
Plate 69 – Nothing. The event will tell.
Plate 70 – They do not know the way
Plate 71 – Against the common good
Plate 72 – The consequences
Plate 73 – Feline pantomime
Plate 74 – This is the worst of it!
Plate 75 – Charlatans’ show
Plate 76 – The carnivorous vulture
Plate 77 – May the cord break
Plate 2: Rightly or Wrongly
Plate 3: The Same
Plate 4: The women give courage
Plate 5: And they are like wild beasts
Plate 6: It serves you right
Plate 7: What courage!
Plate 8: This always happens
Plate 9: They don’t like it
Plate 10: Nor do [these] either
Plate 11: Nor these
Plate 12 – This is what you were born for
Plate 13 – Bitter to be present
Plate 14 – It’s a hard step
Plate 15 – There’s no help for it
Plate 16 – They make use of them
Plate 18 – Bury them and keep quiet
Plate 19 – There isn’t time now
Plate 20 – Get them well, and on to the next
Plate 21 – It will be the same
Plate 22 – Even worse
Plate 23 – The same elsewhere
Plate 24 – They can still be of use
Plate 25 – These too
Plate 26 – One can’t look
Plate 27 – Charity
Plate 28 – Rabble
Plate 29 – He deserved it
Plate 30 – Ravages of war
Plate 31 – That’s tough
Plate 32 – Why?
Plate 33 – What more can be done
Plate 34 – On account of a knife
Plate 35 – One can’t tell
Plate 36 – Not [in this case] either
Plate 37 – This is worse
Plate 38 – Barbarians!
Plate 39 – heroic feat! With dead men!
Plate 40 – He gets something out of it
Plate 41 – They escape through the flames
Plate 42 – Everything is topsy-turvy
Plate 43 – This too
Plate 44 – I saw it
Plate 45 – And this too
Plate 46 – This is bad
Plate 47 – This is how it happened
Plate 48 – Cruel tale of woe
Plate 49 – A woman’s charity
Plate 50 – Unhappy mother!
Plate 51 – Thanks to the millet
Plate 52 – They do not arrive in time
Plate 53 – There was nothing to be done and he died
Plate 54 – Appeals are in vain
Plate 55 – The worst is to beg
Plate 56 – To the cemetery
Plate 57 – The healthy and the sick
Plate 58 – It’s no use crying out
Plate 59 – What is the use of a cup?
Plate 60 – There is no one to help them
Plate 61 – Perhaps they are of another breed
Plate 62 – The beds of death
Plate 63 – Harvest of the dead men
Plate 64 – Cartloads to the cemetery
Plate 65 – What is this hubbub?
Plate 66 – Strange Devotion
Plate 67 – This is not less so
Plate 68 – What madness!
Plate 69 – Nothing. The event will tell.
Plate 70 – They do not know the way
Plate 71 – Against the common good
Plate 72 – The consequences
Plate 73 – Feline pantomime
Plate 74 – This is the worst of it!
Plate 75 – Charlatans’ show
Plate 76 – The carnivorous vulture
Plate 77 – May the cord break